The article begins by discussing the early career of Gerard Cox, a Rotterdam-based entertainer, and the controversies that surrounded him in the 1970s. His performance in the Tros (a right-wing TV program) led to accusations of betraying the left-wing movement. This was particularly fueled by his hit song '’t Is weer voorbij die mooie zomer,' which was seen by some as a sellout.
The song '’t Is weer voorbij die mooie zomer' became a major success, selling over 100,000 copies and marking a turning point in Cox's career. His decision to broaden his appeal and work with different producers helped him connect with a wider audience. This success also enabled him to buy a farm, where he would remain.
Cox's career was not without its share of political and social commentary. His work often featured satire and criticism of society. For example, his song 'Ajax is dood' (Ajax is dead) triggered controversy. He also famously criticized the Dutch monarchy and expressed his views on society in his columns and public statements.
The article also highlights Cox's significant contributions to theater and film. His portrayal of Jaap Kooiman in 'Toen was geluk heel gewoon' is mentioned. This role drew comparisons to Archie Bunker from 'All in the Family' due to its conservative and provocative nature. His role in the film 'Het Debuut' is also noted.
The article concludes by acknowledging Cox's controversial personality. While known for his grumbling and provocation, described as 'anti-woke' before it was common, Cox is also celebrated for his versatility as an artist, his profound connection with the audience and his enduring impact on Dutch culture. The article suggests that his frequent grumbling overshadowed his multifaceted talents.